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There
are many “coming-of-age” novels, from Dickens’ “Great
Expectations” and Mark Twain’s “Adventures
of Huckleberry Finn” to the Gaia
Girls stories by Lee Welles. The realm of Hispanic literature
is vast and powerful, from the works of Cervantes and Garcia
Lorca to Isabel
Allende. However, a novel written jointly by three people
is very unusual. “Sister
Chicas” is a coming-of-age story about three young
Latinas, full of the stress and silliness of growing up in
the burgeoning Latino community of Chicago.
The three chicas of
the novel who are so close that they might as well be sisters are actually
very different personalities:
Taina
Sol Moscoso is the youngest of the three, being raised
by a single mother since her father walked out on the family.
Her mother runs a successful restaurant and takes her daughter
back to Puerto Rico from time to time, but Taina still
feels shy and alienated from her Hispanic heritage, especially
as her fifteenth birthday approaches and Mami is forcing
her to have a traditional quinceañera coming-out
party.
Elena O’Malley-Diaz
(“Leni”), with her orange spiked hair, piercings and wild ways is
the most free-spirited of the three. Her father died when she was young, her
mother remarried and divorced and Leni sometimes seems entangled between her
Irish and Spanish genes. She is also developing into a fine photographer, especially
of the punk rock musicians she likes to hang out with.
Graciela “Grachi” Villalobos
is the most mature of the chicas, the only one living with two parents.
She works in a Mexican-oriented bookstore, is taking college-level writing courses
and seems destined for an important literary career.
The
chapters in “Sister Chicas” alternate in the voices
of Taina, Leni and Graciela, and each was written by a different
author. Taina’s story is told by Jane
Alberdeston Coralin. Jane is a native of Puerto Rico, author
of several books of poetry and
a member of the prestigious Cave
Canem workshop for poets of African heritage. She was a
founder of the Modern Urban Griots poetry performance group.
Jane is now a Ph.D. candidate in English at Binghamton University.
Leni’s story
is told in the words of Ann Hagman
Cardinal and the author of Graciela is Lisa
Alvarado. The three writers worked independently, sharing manuscripts by
e-mail and holding discussions over the phone. But the support they gave each
other parallels the support the “sister chicas” share so
naturally.
My dress – my quinceañera dress – this
coral flirtation was the only item in my closet that said
I was something different – different from the popular
crowd of girls with their MTV fantasies. I love it that
Leni and Graciela were the ones to make this happen for
me, help me blossom. And here was my mother ready and willing
to pull the grass skirt right out from under me.
--from “Sister
Chicas”
In
keeping with custom, Taina’s mother has chosen a nice
young man to be her daughter’s formal escort – the caballero – at
the quinceañera. Taina would of course prefer
to be escorted by her boy friend Yusef – someone her
mother doesn’t even know about. “Sister Chicas” contains
many elements reflecting the problems of growing up in American
society as well as the distinct challenges and changes among
the emerging Latino population. The text is sprinkled with
Spanish terms and the book includes a Spanish-English glossary.
There is also a collection of recipes bien sabrosos.
Jane
Alberdeston Coralin joins Bill Jaker to
tell about her collaborative work writing “Sister Chicas” and also
to read some of her poetry. To take part in the conversation, call during the
live 1:00 PM broadcast to 888/359-9754 or post a comment HERE...
or directly to WSKG.Radio@Gmail.com. |

Preservation of New York’s Adirondack wilderness is
the background and setting of “Keene’s Law”,
a mystery and romance that begins in the 1880s and culminates
in the 1960s. The author is George Patte, a practicing attorney
(and first-time novelist) from Ithaca. He will visit OFF
THE PAGE on Tuesday, August 8. |